Most of my favorite songs are by bands or artists that I also consider to be my favorites. If I were to name my top five favorite songs, they'd probably almost exclusively be by two or three of my top five favorite artists.
Both of those are lists for another day, however. Instead, I was curious about another facet of favorites: songs a person absolutely loves by artists towards which they are completely ambivalent. This is not to say that the artists are in any way bad. In fact, it's very possible that someone could see any of the following musical acts as a huge deal and their personal favorites because they're talented and have storied careers, but that's not the point of this list.
For me, I don't care one way or the other about these artists; they just have songs that hit me where I live. There's one other caveat, too: no one-hit wonders. For some reason, choosing a one-hit wonder (for example, The Proclaimers and their song "(500 Miles) I'm Gonna Be") shouldn't be an option because that's the only thing from them that you could really pick. I figure that this is a list where people could possibly be insulted by the fact that I chose their favorite band but appreciate the fact that I at least really dig one of their songs. Here are my top five in this very specific category:
Both of those are lists for another day, however. Instead, I was curious about another facet of favorites: songs a person absolutely loves by artists towards which they are completely ambivalent. This is not to say that the artists are in any way bad. In fact, it's very possible that someone could see any of the following musical acts as a huge deal and their personal favorites because they're talented and have storied careers, but that's not the point of this list.
For me, I don't care one way or the other about these artists; they just have songs that hit me where I live. There's one other caveat, too: no one-hit wonders. For some reason, choosing a one-hit wonder (for example, The Proclaimers and their song "(500 Miles) I'm Gonna Be") shouldn't be an option because that's the only thing from them that you could really pick. I figure that this is a list where people could possibly be insulted by the fact that I chose their favorite band but appreciate the fact that I at least really dig one of their songs. Here are my top five in this very specific category:
5. "Don't Look Back in Anger" by Oasis
4. "Halo" by Beyonce
3. "Crooked Teeth" by Death Cab for Cutie
2. "Nine in the Afternoon" by Panic! At the Disco
I provided links to audio samples of the songs if you are not familiar with them, but my tastes in this arena are pretty mainstream. It's not hard to fathom that you've heard them before, but, just in case, you can click on the link and give it a go. Feel free to post your choices in the comments, too.
Frosh
Due to a miscommunication issue, I was caught by surprise by the registration assembly on Monday. It threw me off my plan for the week, but you were able to figure out your classes for next year. Sophomore year is a tough one because so much of your schedule is picked out for you and there's not too much in the way of choice. My only advice is to power through, make the best of it and know that the high school world is your oyster during your junior and senior year should you stay on track with your given courses.
We began act two of Romeo & Juliet on Tuesday and continued in that vein through Wednesday, allowing us to cover almost the entire balcony scene. While it's considered by the world at large to be the most famous scene in all of Shakespeare as well as romantic as all get out, we instead focused on how creepy it is that this dude was listening to the object of his affections inner-most thoughts right after they met. Romeo's actions would qualify him for stalker status by today's standards, and he's pretty lucky that Juliet is as taken with him as she is at that point.
Despite some technical difficulties on Thursday, we managed to get through two different versions of the balcony scene for media analysis. The media analysis sheet is due, appropriately enough, on Monday, February 14. It's Valentine's Day, you see.
Seniors
Macbeth's act four is done and out of the way as we covered it for the entire week. While it's the shortest act in the entire play, leading many to believe that it's the one that has been most ravaged by the fact that an original Shakespearian script has never been found, it does contain one of the longest scenes. Malcolm and Macduff really hash it out, giving us a clear view of Malcolm and his claims to have never lied before that moment (forcing us to ask if he's even telling the truth with that statement) and Macduff making the case for his dogged patriotism at the expense of the lives of his family members.
More importantly, we get Macbeth's second encounter with the witches, which is itself up for debate. Did Macbeth really find them? If so, how does Lennox and whoever else is there at the end not see them? Are they truly supernatural and fantastical or did Macbeth's insomnia-induced brain conjure them up? These are the kinds of ideas you could really explore pretty deeply in your dichotomy paragraph that is due Monday, February 14.
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ReplyDeleteMr. Talbot, this is what you've been missing.
I laughed for 400 days.
....oh yeah this is Mark.